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Initially, she is said to have imitated the acclaimed singer Noor Jehan, but she later developed her own style of singing. She brought a new signature style of singing to Indian film music, moving away from mehfil-style performances to suit both 'modern' and 'traditional' female protagonists. A soprano range voice with less volume or amplitude, she had enough weight in her voice to give definite shape to the melody of Indian film songs. Although she had limited coloratura skills in her early career, she developed better tone and pitch as she progressed in her playback career. Lyrics of songs in Hindi movies were, in those days, primarily composed by Urdu poets and contained a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about her accent while singing Hindi/Urdu songs; so for a period of time, she took lessons in Urdu from an Urdu teacher named Shafi. In subsequent interviews she said that Noor Jehan heard her as a child and had told her to practice a lot. The two stayed in touch with each other for many years to come.
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She won a Filmfare Award for Best Female Playback Singer for Salil Chowdhury's composition "Aaja Re Pardesi" from Madhumati (1958). Her association with C. Ramchandra produced songs in movies such as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Aasha (1957), and Amardeep (1958). For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmaar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959), and Chacha Zindabad (1959).
From the 1980s onward, Mangeshkar worked with music directors such as Shiv-Hari in Silsila (1981), Faasle (1985), Vijay (1988), and Chandni (1989) and Ram Laxman in Ustadi Ustad Se (1981), Bezubaan (1982), Woh Jo Hasina (1983), Ye Kesa Farz (1985), and Maine Pyar Kiya (1989). She sang in other movies, such as Karz (1980), Ek Duuje Ke Liye (1981), Silsila (1981), Prem Rog (1982), Hero (1983), Pyar Jhukta Nahin (1985), Ram Teri Ganga Maili (1985), Nagina (1986), and Ram Lakhan (1989). Her song "Zu Zu Zu Yashoda" from Sanjog (1985) was a chartbuster. In the late 1980s, she made a comeback to Tamil films with two back-to-back renditions of composer Ilaiyaraaja's songs "Aaraaro Aaraaro" and "Valai Osai", for the films Anand (1987) and Sathya (1988), respectively.Lata Didi Recorded her second Telugu Song "Thella Cheeraku" for Director K. Raghavendra Rao 1988 film Aakhari Poratam .